Ana, Female, 18, Journalism student, Portugal. Is a control freak, very shy, and spends most of her time day dreaming. Writing is her passion but has no idea what to do with her life. Is obsessed with Doctor Who, Supernatural, Sherlock and a bunch of other tv shows. Loves all kinds of good music, cookies, long walks but not on the beach, and chocolate milk.
Catching Elephant is a theme by Andy Taylor
(Source: ohh-fuck-theres-clowns)
(Source: holyfriend)
Lights Out: Francisco Calabrese‘s documentary/horror short “Lovely Monster” introduces Sophia, a beautiful 21-year-old girl who also happens to have “a rare and very dangerous condition.”
Safe for work, but not safe for trying to sleep tonight.
[d-a-n.]
(Source: teachingliteracy)
Jessica Chastain for T Magazine - May 2012
Jessica Chastain stars in front of Cass Bird’s lens for the Summer issue of The New York Times T Style magazine.
This short film of a book being assembled with traditional printing methods, created for the UK’s Daily Telegraph, is a beautiful little snapshot of the printing process, so simple and lovely it seems almost like a dance. (via Flavourwire)
I am reduced to a thing that wants Virginia. I composed a beautiful letter to you in the sleepless nightmare hours of the night, and it has all gone: I just miss you, in a quite simple desperate human way. You, with all your un-dumb letters, would never write so elementary a phrase as that; perhaps you wouldn’t even feel it. And yet I believe you’ll be sensible of a little gap. But you’d clothe it in so exquisite a phrase that it would lose a little of its reality. Whereas with me it is quite stark: I miss you even more than I could have believed; and I was prepared to miss you a good deal. So this letter is just really a squeal of pain. It is incredible how essential to me you have become. I suppose you are accustomed to people saying these things. Damn you, spoilt creature; I shan’t make you love me any the more by giving myself away like this —But oh my dear, I can’t be clever and stand-offish with you: I love you too much for that. Too truly. You have no idea how stand-offish I can be with people I don’t love. I have brought it to a fine art. But you have broken down my defences. And I don’t really resent it. - Vita Sackville West to Virginia Woolf
Look here Vita — throw over your man, and we’ll go to Hampton Court and dine on the river together and walk in the garden in the moonlight and come home late and have a bottle of wine and get tipsy, and I’ll tell you all the things I have in my head, millions, myriads — They won’t stir by day, only by dark on the river. Think of that. Throw over your man, I say, and come.--Virginia Woolf to Vita Sackville West
(Source: bey0ndw0nderland)
OMG that’s reallll!!!
Unbelievably beautiful!
Oh..Oh my God…can’t…word…no…
Yes. Yes, that.
Jeremy Webb: Now, I remember when I read ‘the mysterious lady with her back to us’, I thought ‘how on earth can I disguise… [Alex Kingston & her hair]’. I thought long and hard, and uhm, I couldn’t find a solution, I’m afraid.
Steven Moffat: There isn’t one. No. It’s just… I have moments of optimism when I write scripts. But you think: nobody else has this much hair.
(Source: your-bespoke-psychopath)
I’m very often referred to as “Sir” in elevators and such. I think it has to do with being this tall and not wearing much lipstick. I think people just can’t imagine I’d be a woman if I look like this.
(Source: bradfordbloke)
(Source: Flickr / fym)
